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Date: November 22, 2024 Fri
Time: 12:18 pm
Time: 12:18 pm
Results for crime in mass media
2 results foundAuthor: Beals, Fiona Title: Crime Families in the News: Exploring Media Reports of Young Offenders and Their Families Summary: This study examines the ways in which the families of young offenders were represented in New Zealand print media between 2002 and 2007. It comprises a literature review of studies on the representation of families in news media, a content analysis of published newspaper articles and a qualitative exploration on the types of constructions used in newspaper articles. Details: Wellington, NZ: New Zealand Families Commission, Blue Skies Fund, 2010. 37p. Source: Internet Resource; Blue Skies Report No. 33/10 Year: 2010 Country: New Zealand URL: Shelf Number: 119288 Keywords: Crime and the PressCrime in Mass MediaJuvenile OffendersMass Media and Criminal Justice |
Author: Lam, Anita Yuen-Fai Title: Making Crime TV: Producing Fictional Representations of Crime for Canadian Television Summary: Criminologists and sociolegal scholars have become increasingly interested in studying media representations of crime in popular culture. They have studied representations using content analyses, often examining their “accuracy” against academic research. Alternatively, these scholars have also studied media effects. In contrast to these studies, I focus on the television production process of making entertaining, dramatic representations of crime. In doing so, I empirically address the following research question: how do TV writers know about crime, and how do they transform that knowledge into fictional representations? I answer this question using a triangulation of methods to gather data – specifically, ethnography, archival research, and interviews with writers and producers – and through the juxtaposition of several case studies. My case studies include the following Canadian crime television programs: 1) the police drama The Bridge, 2) an original Canadian drama about insurance fraud, Cra$h and Burn, and 3) crime docudramas, such as F2: Forensic Factor and Exhibit A: Secrets of Forensic Science. Taking cues from Bruno Latour‟s actor-network theory, I focus on the site-specific, concrete, dynamic processes through which each television production makes fiction. I conceive of the writers‟ room as a laboratory that creates representations through collaborative action and trial and error. This research demonstrates that, during the production process, representations of crime are unstable, constantly in flux as various creative and legal entities compel their revision. Legal entities, such as Errors and Omissions insurance and broadcasters‟ Standards and Practices, regulate the content and form of representations of crime prior to their airing. My findings also reveal the contingency of (commercial) success, the heterogeneity of people who make up television production staff, and the piecemeal state of knowledge that circulates between producers, network executives and writers. Details: Toronto: Centre for Criminology and Sociolegal Studies University of Toronto, 2011. 273p. Source: Internet Resource: Dissertation: Accessed May 4, 2013 at: https://tspace.library.utoronto.ca/bitstream/1807/32075/1/Lam_Anita_YF_201111_PhD_thesis.pdf Year: 2011 Country: Canada URL: https://tspace.library.utoronto.ca/bitstream/1807/32075/1/Lam_Anita_YF_201111_PhD_thesis.pdf Shelf Number: 128654 Keywords: Crime in Mass MediaMass Media and CrimeMedia (Canada)Popular CultureTelevision |